Narrative Technique: “A Rose For Emily”
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Who is the Narrator?
The unnamed
narrator in William Faulkner’s “A Rose For Emily” is a resident of the town in
which the main character Emily lives. Although the true identity of the
narrator is never revealed, the reader is left with some clues. Helen Nebeker
notes that narrator may have been a part of a group of men in town who had
hoped to become the ideal mate for Emily, but who never lived up to her
father’s standards (5). The narrator does show himself to be male based on his
attempt to not attach himself to the ladies in his town. The narrator in
Section II of the story refers to the women as “the ladies”, and is careful to
ensure that at no time he establishes any attachment to the women beyond merely
being neighbors. Also when discussing the lie that Colonel Sartoris had come up
with to excuse Emily’s from paying taxes, the narrator states that it’s
a lie and only a woman would accept that excuse. The narrator’s transition from a
non-participant to a participant narrator may also provide a clue as to the
narrator’s identity. Helen Nebeker observes, “Within all five sections we
note a continual shifting of person, from our to they to we… Miss Emily” (4).
The constant switch between first person and third person narrative, is
indicative of someone who may not have seen firsthand all the events of the
plot. In Section I, the narrator consistently uses the word “they” in reference
to the meeting between Emily and the town’s officials. The narrator, however,
switches to a participant and begins using the first person narrative as Emily
ages. This transition is evidence that the narrator may have been younger than
Emily, and may have been given background information on the main character due
to his association with the town’s officials. It is also possible that the
narrator is actually a town official, the narrator hints at his association in
Section IV, “Each December we sent her a tax notice.”
Significance of the Narrative Voice
Whoever the
narrator is, he is central to the stories progression and to the suspense. The
narrator’s experience is central to understanding Emily, and it is actually the
only way the reader is able to build an understanding of who Emily is. It is
often asked why did William Faulkner allow the story to be told from the point
of view of the anonymous narrator than from Emily? The story is best told from
his point of view as opposed to the main character because his lack of
knowledge is crucial to the development of the plot. The narrator’s failure to
realize that Emily had intended to kill "rats" (This is an instance of foreshadowing used by William Faulkner), instead of
committing suicide, allows the suspense of the story to be preserved, and
therefore hold the reader’s interest in the plot. The reader would have been
robbed of the drama, and intense shock surrounding the discovery of the body in
her room, the room being embalmed with her memories, and her symbolic “iron
gray hair”. These are events in the plot which could not have been told by
Emily due to her mental state. Emily would have been easily classified as an
unreliable narrator, and therefore her retelling of events would not have been valid. It was essential that both the narrator and reader make the
discovery of a dead Homer Barron at the same time, because it shows that as much as the narrator and
people of the town had scrutinized Emily, no one knew who Emily Grierson truly
was.
Nebeker, Helen E. “Emily’s Rose of Love: Thematic
Implications of Point of View in Faulkner’s
“A
Rose For Emily.” The Bulletin of the Rock
Mountain Modern Language Association
24.1
(1970): 3-13. Web. 30 January 2012.
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